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Branding for non-profit organization: CRED
Project developed during the Visual Communications 03 class @ Pratt Institute's MS Graduate Communications Design program.
CRED (Certifying Responsible Design) is an independent entity promoting the discussion and pursuing the implementation of a formal certification system for Graphic Designers in the U.S.
CRED’s mission is the preservation and growth of Graphic/Communications Design as a responsible and engaging profession, that does not view aesthetics as the final end, but seeks to develop projects with a profound commitment to the planet and society as a whole.Branding, Graphic Design, Web Design2012 -
Identity project for the Visual Communications 02 class in the Graduate Communications Design program at Pratt Institute NYC. The Guggenheim's mission was re-organized. With a focus on promoting the location, culture and civilization of each specific city and country within their ample worldwide breadth.Branding, Creative Direction, Graphic Design2011 -
This was my submission for the 2012 AIGA Get Out the Vote poster open call.
Statement
Voting is a personal decision. Every individual must come to understand and appreciate the power inherent in our voice, our perspective and opinions. Casting a vote is not only about choosing one candidate over another, it is the way to speak up and become part of the social process. This poster serves as a direct call to action; focused and informative: remember the date and act. The interaction within the typography serves as a reminder of the duality and profound importance of participating in this democratic process, as each vote interacts with others to achieve a desired collective outcome.
View the complete post, download and print the poster HERE.Creative Direction, Graphic Design, Typography2012 -
A complete identity system was developed based on my chosen city from the book “Invisible Cities” by Italo Calvino. This was a semester long project for the Typography 02 class in the Graduate Communications Design program at Pratt Institute.
Through research, ideation and conceptualizing, I established the typefaces, colors, grid systems, textures, shapes and graphic elements as part of the city identity. This identity is transformative and adaptive. No static logo or mark was developed, but by unifying all elements the “feel” of Andria becomes realized.Branding, Typography, Print Design2011 -
“Invisible Cities” by Italo Calvino is a marvelous book. It takes us to imaginative and imaginary worlds with a conversation between Marco Polo and emperor Kublai Khan. Cities, civilizations and people are described with utmost detail. They come to life in our imagination.
With specific words and phrases that described my city, I had to develop numerous compositions that later became this book.
I chose the city of Andria: City of the Sky.
A place where the earth and sky correspond on another. Where a change in one is reflected on the other.Where responsibility, care and actions are measured. A city where every action is carefully considered and the possible consequences are taken into account. A place where I would love to be.Graphic Design, Typography, Print Design2011 -
Concept, text and photography for a typography-oriented magazine developed during theTypographics course in the MS Communications Design program at Pratt Institute with Prof. Tony DiSpigna.
Pica magazine is a conversation with the world of typography and graphic design. It presents, critiques, discusses and showcases the current state of typography-oriented design work and encourages excellence and responsibility within the design profession.
Pica speaks to anyone who is passionate about communication, typography and social design. Designers who embrace technology, but acknowledge that design thinking and concept development are still the key to solving any communication problem, will feel right at home reading pica.Art Direction, Editorial Design, Photography2012 -
This invitation/flyer project was developed as part of the PrePress course in the Graduate Communications Design program at Pratt Institute. The class was directed towards learning to setup, prepare and apply image alterations, manipulations and printing techniques that met a professional standard.
Spot color enhancements, duotones, creative duotones, quadtones, PMS colors and other techniques were part of the learning and experimentations process. This was an open-ended project were I chose my topic, wrote all the copy, shot the photography, designed and produced the final invitation/flyer.
Joost Hochuli is a book designer and typographer I have admired for some years. He was the perfect “client” for this imaginary event. The concept was faithful to Hochuli's Swiss heritage and visual style through all his work. All logos used, remain property of the individual entities and were only used as part of this student project.
Sketching, as always, played a vital role in developing a concept before even turning on the computer.Graphic Design, Print Design, Photography2012 -
This was my winning entry for the 2012 Typography Day word poster competition, held at the Indian Institute of Technology (IIT Bombay). The poster was chosen as finalist from over 600 entries.
Direct link
http://www.typoday.in/poster_result.html
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As technology keeps evolving there exists a need to appreciate the wonders of a hand-made design approach.
The availability of computer software has created generations who perceive design as mere computer skills and looks. This is my response to the potential of a more involved approach. Where the intended message directs
the medium and the look of the design. The word served as guidance during the conceptual phase.
Helping communicate a word meaning ”signal wave stored as physical texture” by choosing a manual direction. The word is constructed using audio cassette tape. By utilizing a tangible material, the word acquired a randomness that enhanced the message. There are a range of design possibilities, where a non-digital approach can best serve the communication process. Instead of forcing digital effects into our work, a physical approach can make our intent more clear, uncluttered and universal.Typography, Photography, Graphic Design2012 -
A young entrepreneur took a big leap and decided to open a small boutique music store in Puerto Rico. His passion ans risk paid of when numerous musicians, customers and the general public continued to visit the store for their music related purchases, social events, lectures and lessons.
His commitment to music and education made it a pleasure for me to work with. An ideal client, trustworthy, passionate and knows what he wants.
Go visit:
www.guitarspr.comBranding, Graphic Design, Print Design2011 -
The book includes a series of typographic experiments created during my first semester of the Graduate Communications Design program at Pratt Institute in NYC. All compositions were developed throughout the semester and unified in this final printed book.Print Design, Typography, Graphic Design2011 -
This project was developed as part of the PrePress course in the Graduate Communications Design program at Pratt Institute. The class was directed towards learning to setup, prepare and apply image alterations, manipulations and printing techniques that met a professional standard.
Spot color enhancements, duotones, creative duotones, quadtones, PMS colors and other techniques were part of the learning and experimentations process. This was an open-ended project were I chose my topic, wrote all the copy, shot the photography, designed and produced the final booklet. Sketching, as always, played a vital role in developing a concept before even turning on the computer.
It was a nice way to get my bass out of the bag and give it the well-deserved 15 seconds of fame.Graphic Design, Print Design, Photography2012 -
Adrian Frutiger is one of the most prolific and known typographers in history. His work with type has produced some of the more usable, functional and beautiful typefaces around, such as: Meridién, Glypha, Serifa, Avenir, Frutiger and the immensely popular and infinitely useful Univers.
But, most designers have not heard of his work with shapes, forms and counterforms. His experimentation with creating shapes that communicate in an universal way through the use of only paper and scissors is not widely known.
I had to research, write, layout and design the complete article for this Swiss design. In this article I intend to inform about the two very distinct yet united facets of Frutiger's life and career: typography and visual forms.Editorial Design, Art Direction, Print Design2011 -
A series of posters based on the book “Art and Visual Perception” by Rudolf Arnheim. Developed during the Visual Perception class in the Graduate Communications Design program at Pratt Institute.Graphic Design, Print Design, Creative Direction2011 -
Art direction and design for “Sobre el Ring” boxing magazine.
I had the pleasure to work on the development and proposal for the first boxing magazine in the history of Puerto Rico. The long and successful history of the sport of boxing in Puerto Rico makes it difficult to understand why no boxing-focused magazine had existed before.
The direction of the magazine is tough, dirty, sweaty and direct, just like boxing itself. Photography direction, typography, colors and grids were carefully established and implemented to give the magazine a modern, clear and approachable look.
After its first two editions, SOBRE EL RING grew in both staff and public consumer interest. What once started as a free magazine has now transformed into a full-scale magazine that is sold in multiple locations around Puerto Rico.Art Direction, Creative Direction, Editorial Design2011 -
La Voz de MIDA is an internal magazine for the food distribution corporations and associations in Puerto Rico. The association has a long history and a breadth of members.
The re-design took place in 2011 with extreme budget constraints and a dubious staff board. The presented re-design was approved unanimously by the whole board during one fo their most important meetings.
Clarity, order and reading efficiency were the aim of the re-design process. Readers do not have the luxury of time, so information needed to be direct and effective.Editorial Design, Print Design, Art Direction2011 -
Gcity magazine speaks to an audience who care about health, fashion and modern lifestyles. I had a chance to re-design the overall look, structure and organization of the magazine, giving it a fresh approach while maintaining the same parameters, colors and typefaces that had been part of the magazine for years.Editorial Design, Art Direction, Print Design2011 -
This project needed an established identity that would inform and correspond to the vision, style and approach of the boutique owner and the clothing lines the store would carry. “Modern, simple and fun.” Those were the words uttered by the owner when I asked what she was looking for.
The IN House boutique was born. A clean, modern, and fun place were women could shop, meet and talk about family, fashion and life in general. In a short time, the store has acquired great success in meeting the demands of its growing public. The IN House now has expanded to include a health spa beside the actual store.Branding, Creative Direction, Graphic Design2011 -
The environment is in chaos. It is yelling and screaming at us: PLEASE STOP!!!!
Our modern way of life is destroying our surroundings. The way we think, produce and manufacture is quickly depleting our world's resources. I believe that Design is at the basis of the potential to change our world and better our environment for the future generations.
Auralis Herrero Lugo is one of those designers who has embraced her role and responsibility within this generation. Her clothing line uses procedures and materials that are not only sustainable and eco-conscious, but they actually give back to the earth.
I've had the honor to work with her on numerous occasions. Always fun, always inspiring.
Go and support:
www.auralistudio.comCreative Direction, Print Design, Web Design2011 -
Creative and Art direction for various album designs and promotional media.Music, Retouching, Creative Direction2011 -
This book was developed for the Typography 02 class in the Graduate Communications Design program at Pratt Institute. Article copy taken from an actual 1922 report found on the NY Times archives. The topic of the project was DANGER!
Through angles, shapes and tension of placement, I was able to represent the importance and relevance of the article's topic in a visual language.Editorial Design, Print Design, Creative Direction2011 -
Selected color corrected and retouched images for use in publications, album designs and promotional artwork.Editorial Design, Print Design, Retouching2011
All works © Esteban Pérez 2011.
Please do not reproduce without the expressed written consent of Esteban Pérez. Powered by ProSite.
Please do not reproduce without the expressed written consent of Esteban Pérez. Powered by ProSite.
